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Summary
Summary
Caldecott Medalist Ed Young delivers a visually stunning, poignant story about humility, wastefulness, and appreciating what one has.
A New York Times Best Illustrated Children's Book of 2016!
An Amazon Best Book of the Year!
A Kirkus Reviews Best Book of the Year!
"Young creates a stunning visual symphony with a surprising and unsettling emotional power."-- New York Times Book Review
* "The well-paced fable is visually stunning . . . Young is at the height of his powers in this fable that offers a feast for the eyes, mind, and soul. A visual masterpiece ."-- Kirkus Reviews , starred review
* "Caldecott-winning author/illustrator Young has created another stunning and meaningful picture book to be enjoyed by all ages. This book is exquisite in text, tone, and illustration. A compelling fable that is crucial for humanity and will spark meaningful classroom conversations."-- School Library Journal , starred review
* "Youngweaves an elegant cautionary fable."-- Publishers Weekly , starred review
In a place called Hunger Mountain there lives a lord who has everything imaginable yet never has enough. To satisfy his every desire, he hires builders to design the tallest pagoda; a world-famous tailor to make his clothing from silk and gold threads; and a renowned chef to cook him lavish meals with rice from the lord's own fields. What more could he possibly want?
Yet when drought plagues the land, Lord Cat is faced with his first taste of deep loss, he ventures down the mountain and what he discovers will change his life forever.
Rendered in exquisite mixed-media collage, Caldecott Medalist Ed Young's deceptively simple fable is a deeply affecting tale about appreciating the value of treasures that need not be chased.
Author Notes
Caldecott Medalist Ed Young is the illustrator of over eighty books for children, seventeen of which he has also written. Born in Tientsin, China in 1931, Ed Young grew up in Shanghai and later moved to Hong Kong. As a young man, he came to the United States on a student visa to study architecture but turned instead to art.
Young began his career as a commercial artist but found himself looking for something more expansive, expressive, and timeless. He discovered all this, and more, in children's books. Young's quest for challenge and growth are central in his role as illustrator.
A graduate of the Art Center College of Design in Pasadena, Young has since taught at the Pratt Institute, Yale University, Naropa Institute, and the University of California at Santa Cruz.
In 1990, his book Lon Po Po was awarded the Caldecott Medal. He has also received two Caldecott Honors - for The Emperor and the Kite and Seven Blind Mice - and was twice nominated for the Hans Christian Andersen Medal, the highest international recognition given to children's book authors and illustrators who have made a lasting contribution to children's literature.
In addition to Ed Young's writing and illustration career, he is also a respected master of t'ai chi and has been teaching students for over 30 years.
(Bowker Author Biography)
Reviews (5)
School Library Journal Review
K-Gr 4-Lord Cat lives well on his mountaintop, blessed with the finest of goods and plenty of rice to eat. He has servants to build him the best home and prepare and serve his delicious meals. There are also workers to tend his prolific rice paddies. Life is stable until, one year, drought hits and crops fail. Eventually most of the villagers move from the mountain in search of a better life. Lord Cat refuses to abandon all that he has accrued even though his great wealth now means nothing. Finally, at the point of starvation, he leaves his home to beg for food from whomever he can. He learns of a generous monk, willing to serve rice to any in need. Lord Cat becomes most grateful for just a half bowl of rice that he would have scorned and thrown away before. Lord Cat learns an invaluable lesson when he discovers how the gracious monk accumulated his reserve. Caldecott-winning author/illustrator Young has created another stunning and meaningful picture book to be enjoyed by all ages. This poignant story reinforces the importance of limiting waste, being grateful for what one has, and sharing in a manner that is deliberate and sincere. The animal characters make this title especially inviting and accessible for young readers. The visuals, completed in mixed-media collage, are striking with their use of many colors, textures, and types of materials. This book is exquisite in text, tone, and illustration. VERDICT A compelling fable that is crucial for humanity and will spark meaningful classroom conversations.-Amy Shepherd, St. Anne's Episcopal School, Middleton, DE © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Young (Should You Be a River) weaves an elegant cautionary fable about Lord Cat, who lives "high above everyone" in a lofty pagoda. Young's evocative, abstract paper collages convey the vulgar opulence-and later the terrifying scarcity-of Lord Cat's existence. He hires a peacock to tailor a cream-colored kimono, sends birds of prey to bring him game animals, and has a panda wash his rice in the river and prepare his meals ("Can't you see that the bowl is half-empty? Take it away," Lord Cat commands). He lives as though material supplies are infinite, but a persistent drought brings an end to his prosperity. Downriver from Hunger Mountain, Lord Cat hears of "a kind monk in a modest temple nearby who gave free food to the hungry" and discovers what became of all the rice he threw away. Young crafts his images from a variety of patterned papers and photographs, a repurposing that gracefully echoes the story's themes. Tellingly, he dedicates this elegant story to "the strange virtue in deprivation," foreshadowing Lord Cat's revelation while inviting interpretation and conversation. Ages 4-8. Agent: Christa Heschke, McIntosh & Otis. (Nov.) © Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Youngs original fable about a wasteful wealthy lordrendered in the illustrations as an anthropomorphized catdepicts its protagonists greed, his fall from power, and his eventual redemption. Detailed collage illustrations show the cat dressed in rich fabrics, bringing to mind Andersens similarly vain and arrogant Emperor. The cat lounges around in his finery, makes demands, and wastes food while other animals wait on him. When Lord Cats servants asked if their master had finished his meal, they were scolded. Are you blind? Cant you see that the bowl is half-empty? Take it away. His downfall is sparked when a drought devastates his mountain village, bringing famine and driving all the residents away. Alone and starving, Lord Cat ventures forth to find food. Eventually, he encounters two beggars like himself, warming themselves by the fire. Although illustrations on this spread and the next are a bit difficult to read, the text explains that the beggars tell him about a monk who feeds the hungry. When he finds the monk and takes sustenance, Lord Cat learns that the offered food is the very rice hed wasted (washed by the river down the mountainside), and humility and gratitude intertwine in the redemptive ending. Colorful, richly textured mixed-media collagesmade from fabrics, string, handmade paper, etc.in deep hues evoke Lord Cats life of luxury, contrasting with barren landscapes in neutral tones, under a stark white sky, that depict the famine. megan dowd lambert (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A wealthy lord has everything, yet its never enough until deprivation teaches him lifes true riches.Lying in luxury atop Hunger Mountain, a haughty cat lord lives in excess. His clothes are spun from silk and gold, and he always leaves his bowl of the finest rice half eaten. But a drought begins, and famine spreads. The villagers leave; still the arrogant feline stays, refusing to part with his possessions. Finally, starving and alone, the lord ventures out and must beg for food. When a kindly monk gives him a spoonful of ricethe grains of which were collected from the cats wasted extravagance at Hunger Mountainthe lord finally understands what it means to be blessed. The well-paced fable is visually stunning, as photographs, textured paper, string, and other materials combine into magnificent paper collage illustrations. At times abstract but always beautifully composed, the artwork shows a deep appreciation for its audience, boldly challenging readers to interpret and extract meaning. During the cats epiphany, the mountain and mist resolve into a symbolic panda servant dutifully washing the rich lords rice. In a time when almost all illustrators use digital manipulation, this artist only needs paper and scissors to assemble a brilliant image. Young is at the height of his powers in this fable that offers a feast for the eyes, mind, and soul. A visual masterpiece. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.
Booklist Review
Lord Cat lives in a tall pagoda atop Hunger Mountain and looks down on his fields below, yet he is never satisfied. Dressed in fine garments, he eats half the rice in his enormous bowl and discards the rest. When drought destroys the crops, his servants and the farmers go hungry and move away. Humbled, the cat becomes a beggar and makes his way to a monk who feeds the poor. Where did the fine rice come from? For years, the monk collected the grains that the wealthy cat and his harried servants wasted. Now he shares them with all. The cat feels blessed. Written with simplicity and dignity, Young's original fable has no stated moral, but it could open up several topics for discussion. The striking illustrations are complex collages combining textured, woven, and marbled papers with partial photos of subjects such as animals, mountains, trees, wooden shutters, and carpeting. Most effective when viewed from a little distance, they create a series of varied, evocative scenes. A handsome picture book.--Phelan, Carolyn Copyright 2016 Booklist