Publisher's Weekly Review
In her second novel (after The Madonnas of Leningrad), Dean returns to Russia to reimagine the intriguing life story of St. Xenia, as seen through the eyes of the fictional narrator, Dashenka. A terrible fire in 1736 in St. Petersburg forces a young Xenia; her sister, Nadya; and their mother to seek refuge in Dasha's childhood home. The girls grow up together and are ushered into society the same year. Soon after, Xenia falls in love with Col. Andrei Petrov and the two wed. Dasha is not so lucky, but is kindly welcomed into Xenia's house, where she witnesses Xenia unravel, first over her difficulty in conceiving, then the deaths of her only baby and husband. When an unstable Xenia begins to relinquish her worldly possessions, Dasha becomes concerned, and Xenia suddenly disappears, only to resurface years later as a saint to the poor-much to the chagrin of the royals. For those familiar with the story of St. Xenia, this is a gratifying take on a compelling woman. For others, Dean's vivid prose and deft pacing make for a quick and entertaining read. Agent: Marly Rusoff. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.
Booklist Review
Dean (The Madonnas of Leningrad, 2006) returns to Russia with a concise yet inspiring look at its beloved St. Xenia. Even as a child in 1730s St. Petersburg, Xenia Grigoryevna acts like she doesn't quite belong to this world. She collects odd artifacts, ignores court etiquette, and predicts events with uncanny accuracy. She marries imperial singer Andrei Feodorovich in a love match, but her mind becomes unhinged after overwhelming tragedy, and she gives away nearly everything she owns to beggars without regard for her welfare. Her cousin Daria tries but fails to help her, and Daria ultimately finds her own life transformed by Xenia, who is found wandering the streets as a holy fool. Vivid historical examples reflect the story's prominent substance-versus-illusion theme, such as Anna Ioannovna's magnificent, cruel ice palace and Empress Elizabeth's cross-dressing Metamorphoses ball. Similarly, Xenia's poverty and selflessness counterpoint Catherine the Great's opulent court, like the pattern on the backside of a tapestry that exists but remains invisible. Dean's novel grows more profound and affecting with every page.--Johnson, Sarah Copyright 2010 Booklist
Library Journal Review
Xenia, a patron saint of St. Petersburg, is the inspiration for this melancholy novel depicting the lives of three girls in the 18th-century "Venice of the North." Nadya marries an older suitor and lives a stuffy, bourgeois life. Dasha, the narrator, marries a musico, an Italian eunuch who performs in the Imperial choir. Their life is unconventional and sad. Xenia marries Andrei, a handsome officer who sings in the same choir. Their grand passion ends abruptly with his death in a drunken fall. In her grief, Xenia becomes a Holy Fool living on the streets and ministering to the poor and afflicted. VERDICT Dean made a skyrocketing literary debut with The Madonnas of Leningrad and follows up with a meditative spiritual saga that honors its subject with an artful recreation of Xenia's era. Subtle period details and dramatic facts of the 18th century enliven this fictional biography though the stories move along at a stately processional pace. [See Prepub Alert, 3/5/12.]-Barbara Conaty, Falls Church, VA (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.