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Bound With These Titles
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Summary
Summary
We Are Water is a disquieting and ultimately uplifting novel about a marriage, a family, and human resilience in the face of tragedy, from Wally Lamb, the New York Times bestselling author of The Hour I First Believed and I Know This Much Is True.
After 27 years of marriage and three children, Anna Oh--wife, mother, outsider artist--has fallen in love with Viveca, the wealthy Manhattan art dealer who orchestrated her success. They plan to wed in the Oh family's hometown of Three Rivers in Connecticut. But the wedding provokes some very mixed reactions and opens a Pandora's Box of toxic secrets--dark and painful truths that have festered below the surface of the Ohs' lives.
We Are Water is a layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs--nonconformist, Anna; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest. It is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.
With humor and compassion, Wally Lamb brilliantly captures the essence of human experience and the ways in which we search for love and meaning in our lives.
Author Notes
Walter (Wally) Lamb was born in Norwich, Connecticut on October 17, 1950. He attended the University of Connecticut, receiving a B.A. in 1972 and an M.A. in 1977; he also earned an M.F.A. from Vermont College in 1984.
Lamb has written numerous short stories, most notably "Astronauts", which received both the Pushcart Prize and the University of Missouri's William Peden Prize in 1990. He is also the author of the bestselling novels She's Come Undone, I Know This Much Is True, The Hour I First Believed and We Are Water.
Lamb writes stories, he says, because he sometimes hears another voice in his head and feels the need to tell that character's story. He made The New York Times Best Seller List with his title We are Water. However, he feels an equally strong calling to teach, and has no plans to become a fulltime writer. He has taught English at the Norwich Free Academy since 1972, and for many years directed the Academy's writing center, which he also played a major role in creating. The idea for it developed as he became more involved in fiction writing himself and realized that the common methods of teaching composition, which involved grading a paper and commenting on it after the student was finished, were not particularly helpful. He set up a program that allowed students to get feedback from both teachers and peers early in the writing process, so that they could incorporate the suggestions into their final work. He currently teaches creative writing at the University of Connecticut. He is also the volunteer facilitator of a writing workshop at the York Correctional Institution.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Set mostly in Connecticut, Lamb's (She's Come Undone) fifth novel takes on race, class, sexuality, and art, sometimes clumsily, yet the complex plot is captivating. On the brink of her second marriage, artist Annie Oh fis plagued by "lifestyle guilt." After a tormented childhood-a flood that killed her mother and sister; a stint in foster care; abuse at the hands of her cousin-Annie leaves her husband, Dr. Orion Oh, for a woman: art dealer Viveca Christophoulos-Shabbas. The Ohs' three children-all grown-accept their mother's decision, though Andrew is more reluctant than his sisters, Marissa and Ariane. Lamb seems eager to include many permutations of American identity: Orion is Chinese-Italian, Viveca is Greek-and previously married to an Arab man to boot. A section narrated by a Ku Klux Klansman's widow is unconvincing, torn between racism and apology. However Lamb excels at delivering unexpected blows to his characters, ratcheting up the suspense to the final page. Agent: Kassie Evashevski,United Talent Agency. (Nov.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
A searching novel of contemporary manners--and long-buried secrets--by seasoned storyteller Lamb (Wishin' and Hopin', 2009, etc.). Lamb's latest opens almost as a police procedural, its point of view that of one Gualtiero Agnello (hint: agnello means "lamb" in Italian), rife with racial and sexual overtones. Fast-forward five decades, and it's a different world, the POV now taken by an artist named Annie Oh, sharp-eyed and smart, who is attending to details of her upcoming nuptials to her partner and agent, Viveca, who has chosen a wedding dress with a name, Gaia. Notes Annie, reflecting on the Greek myth underlying the name, "[c]haos, incest, monsters, warring siblings: it's a strange name for a wedding dress." That thought foreshadows much of Lamb's theme, which inhabits the still-waters-run-deep school of narrative: Annie has attained some renown, is apparently adjusted to divorce from her husband, a clinical psychologist named Orion (Greek myth again, though he's Chinese) Oh, and is apparently bound for a later life of happiness. Ah, but then reality intrudes in various forms, from Viveca's request for a prenup to the long-suppressed past, in which natural disaster meets familial dysfunction. The story is elaborate and unpredictable, and the use of multiple narrators is wise, considering that there are a few Rashomon moments in this leisurely unfolding narrative. The characters are at once sympathetic and flawed and mostly, by the end, self-aware (Orion on Annie: "I'd just let her float away. But at the time, I couldn't admit that. It was easier to think of myself as Viveca's victim than to cop to my own culpability"). We all know that life is tangled and messy. Still, in reminding readers of this fact, Lamb turns in a satisfyingly grown-up story, elegantly written.]] Copyright Kirkus Reviews, used with permission.
Booklist Review
Lamb's much-anticipated new novel explores the secrets of a Connecticut family on the occasion of mother Annie's remarriage to another woman. An artist who has found great success recycling junk into angry visual art, Annie is ambivalent about marrying Viveca, the art dealer responsible for her success. Meanwhile, Annie's ex-husband, Orion, struggles to accept Annie's remarriage and remake himself after messing up his career as a psychologist. And their kids are not exactly all right either. But, in classic Lamb fashion, this is less a story about the drama of the present or any of the various hot-button issues Lamb invokes (gay marriage, Christian Fundamentalism, Obama's presidency) than it is a lesson about how the traumas of the past play themselves out in the present, and how moral courage and religious faith are the key to overcoming that which haunts us. Here the old wounds are deep indeed abandonment, addiction, decades-old racial conflict, and lots of child abuse and Lamb does not hold back describing them in all their messiness. As he did in his Oprah-endorsed blockbusters She's Come Undone (1992) and I Know This Much Is True (1998), Lamb avoids irony and tends to spoon-feed his readers rather than let them find their own meanings in the text. But few authors are as compassionate toward their characters or as stirring in their redemption narratives. Librarians should expect heavy demand. HIGH-DEMAND BACKSTORY: The publisher's publicity campaign will match in intensity the public library response to a new book by a library favorite.--Driscoll, Brendan Copyright 2010 Booklist
Library Journal Review
We are water: "fluid, flexible when we have to be. But strong and destructive, too." That's evident in this emotionally involving new novel from the author of She's Come Undone. At its heart is the Oh family: Orion, half Chinese and half Italian, a psychologist who never knew his father and has taken early retirement from his university rather than face trumped-up charges of sexual harassment; his wife, Annie, a shy, successful creator of angry installation art who survived foster care and carries a dark secret; and their three children: willful aspiring actress Marissa and the twins, goodhearted Ariane and born-again rebel Andrew. As the novel opens, Annie has thrown everyone into turmoil by leaving Orion for her chic, sophisticated art dealer, Viveca, and even as the new couple plan a wedding in the Ohs' hometown, Three Rivers, CT, past and present hurts unfold in chapters told deftly from alternate viewpoints. Annie's self-doubts are particularly affecting, as is the satisfyingly predictable unfolding of her secret; Orion gracefully comes to terms with his limitations and his future. Meanwhile, Viveca's interest in a painting found on the Oh property links to the story of a black artist that intriguingly frames the novel. VERDICT Clear and sweetly flowing; highly recommended. [See Prepub Alert, 5/13/13.]-Barbara Hoffert, Library Journal (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.