According to outspoken film critic Robert McKee, any greatness of Citizen Kane must lie in its style; substance, he argues, is distinctly lacking. In this program, McKee skewers the content of cinema's sacred cow and charges Orson Welles with artistic overkill, dubiously praising the movie's cinematic effects as "a virtuoso display of camera technique, declamatory symbols, and bravura sound devices-all screaming for attention." Numerous film clips...