Enhanced descriptions from Syndetics:

THE NEW YORK TIMES BESTSELLER

"Izzard is one of the funniest people alive, a talented actor, a sharp cross-dresser, an experienced marathon runner, and a great writer. You will have to read this if only to find out what a jazz chicken is."-- The Philadelphia Inquirer

With his brand of keenly intelligent humor that ranges from world history to historical politics, sexual politics, mad ancient kings, and chickens with guns, Eddie Izzard has built an extraordinary fan base that transcends age, gender, and race. Writing with the same candor and insight evident in his comedy, he reflects on a childhood marked by the loss of his mother, boarding school, and alternative sexuality, as well as a life in comedy, film, politics, running and philanthropy.

Honest and generous, Believe Me is an inspired account of a very singular life thus far.

Excerpt provided by Syndetics

***This excerpt is from an advance uncorrected copy proof*** Copyright © 2017 Eddie Izzard I N T R O D U C T I O N       I always thought I'd write a book about my life toward the end of my life, like Ulysses S. Grant did. Or Chaplin did. But I have noticed that a number of people (maybe lots of people) have done autobiographies in the middle of their lives, or even several autobiographies over different slices of their lives. I came to the conclusion that I don't really know what the rules are for this. I think I'm a really boring person. I think I am naturally boring. Probably most of us are. Interesting people, too, probably decided at some point in life that they were boring and wanted to be more interesting. Like Che Guevara, who was a medical student, then threw on a beret, became a revolutionary, and became way more interesting. Billy Connolly, the Scottish comedian, who really influenced my work, used to say in his stand‑up material that he did certain things to make him‑ self "windswept and interesting." I identify with that. It's bonkers that in this world some people are just trying to live and exist while I'm sit‑ ting here thinking, Ooh! I've done some interesting things and now I'm going to write an autobiography! But that is the situation I find myself in. I've done a certain number of things in my life and have now reached an age and a state of mind where I've come to reflect on those things. And some people want me to write them down. It was at the end of the documentary Believe: The Eddie Izzard Story when Sarah Townsend, the director, who had been shooting interviews with me for some time, said that I never really "say" anything. I thought, Well, I'm up for saying lots of things. But maybe I was being guarded, or trying to make everything very palatable, or funny, and therefore I never seemed to say anything that really cut through the mist of being a performer, an actor, and a personality of some sort. Then, toward the end of the film, I started talking about my mother, who died when I was six. And that's when I said something revelatory: "I know why I'm doing all this," I said. "Everything I do in life is trying to get her back. I think if I do enough things . . . that maybe she'll come back." I remember that when I said those words in the film it didn't feel like it was really me talking. Because it wasn't my conscious brain talking. It was my subconscious brain. And for some reason it was saying: Here's what's really going on. Here's a note to yourself . Something like that. I think it's true. I think trying to bring my mother back is at the base of everything I'm doing, and everything I've ever done. On top of that, of course, there is also ego and a love of adventure and trying to be, as Billy C. would say, "windswept and interesting." But it's quite a moment in the film. And it was quite a moment in my life. So this book is intended to give you a chance to sit inside my head, behind my eyes, for a bit. I'm trying to share thoughts and feelings that I may not have covered in the documentary and that I don't normally talk about in my stand‑up. In a way, I've tried to live my life like a film. I'm trying to do interesting things so that somebody notices or so that maybe my mother notices, from beyond the mists of the living. Real life is actually a lot of boring things with occasional spikes of interest. If you look at films of people's lives, they tend to focus on only one aspect of it because the whole life doesn't quite work as a story. We know how we like our stories, and they have to go down to the bottom at the end of the second act, and then come back up and win at the end of the third act. Stories don't really have to be like that, but that does get our motors going. Real life doesn't play that way, which is why I'd like to thank Sarah Townsend for making my life look interesting in the documentary, even though my life is lots of boring bits with occasional spikes of interestingness. She took all the boring bits out. She got an Emmy nomination for Best Documentary for the film. Which means that my life story got a nomination for trying to be "interesting," even though I know the truth. So this is it--an autobiography--a walk through my life--in a non‑linear way. Belief or, more likely, self‑belief, is central to what I have done, and that probably applies to anyone whose life could be deemed "unusual." But I do also know self‑belief can be used in a good or a bad way: Some people with tremendous self‑belief are complete psychotic mass murderers. So if you have a negative heart, then please don't read this book. But if you have a positive heart, then please do read this book. Because I have worked certain things out in life. I think there are certain patterns to the way human beings behave and I believe if you have analysis in one hand and instinct in the other hand, you can go a long way and live a life that is truly memorable. Anyway. Have a read. Here we go. Excerpted from Believe Me: A Memoir of Love, Death, and Jazz Chickens by Eddie Izzard All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

In this witty and honest memoir, performer Izzard (Dress To Kill) chronicles his life and career thus far. Izzard, age 55, knew at an early age that he wanted to be an actor and began doing plays and musicals in primary school. Izzard moved often, owing to his father's job at BP Oil. At the beginning of the book, he details one of the events that greatly affected his life: losing his mother to cancer when he was just six years old. Izzard developed a knack for comedy eventually leading to his success as a stand-up comic and actor. Throughout, he candidly discusses his experiences as a self-professed transvestite and his family's reaction. This account feels as if the author is having a conversation with the reader rather than simply sprouting information about himself. Readers will enjoy the diary-like aspect. -VERDICT For Izzard's followers, this is definitely worth the read. Well written and sometimes laugh-out-loud funny, it's recommended for fans of comedy and theater and those who appreciate wicked and honest repartee.-Holly Skir, York Coll., CUNY © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

Beloved comedian, actor, and writer Izzard, known partly for being an "out" transvestite who sometimes wears dresses, heels, and lipstick on stage, shares intimate details about his life and is emotionally transparent throughout this splendid memoir. Born in Yemen to English parents, Izzard moved with his family back to the U.K. when he was young. There he had a happy childhood until his beloved mother died of cancer when he was six. This trauma, Izzard explains, pushed him, with the magical thinking that it would somehow bring his mother back, relentlessly toward a successful career in show business. He writes about coming to terms with his gender identity and recognizing that he was transgender at a young age, but told no one for nearly two decades. As his star began to rise, Izzard grew confident enough to dress as a woman on stage. Whether recounting his boarding-school shenanigans, his struggles with dyslexia, or his work with Sports Relief U.K. over the years (including last year when he ran 27 marathons in 27 days), the book is both funny and painful, and ultimately uplifting. (June) © Copyright PWxyz, LLC. All rights reserved.

Kirkus Book Review

The cross-dressing, multilingual comic speaks on matters from "the basic bloke-in-a-dress look" to international affairs.Born in the British protectorate of Aden in 1962, Izzard claims he is "a really boring person" who just happens to have swallowed several libraries' worth of books and lived a fairly interesting, if sometimes difficult, life. His mother died when he was very young, leaving it to a put-upon father and the English school system to raise him; he tends to divide the world into the time "before Mum died" and all the rest of it. One consequence: Izzard is an adamant atheist who holds that if there is anything like a god, then that deity has some explaining to do on matters such as "WWII, Hitler, bowel cancer, and Croc shoes." Croc shoes may be one thing, but the author's own garb of plastic trousers, frock or kimono, and black eyeliner was a choice that resulted from an effort to bring the glam aesthetic of David Bowie et al. to the comedy stage. Izzard charts a tough trajectory, from the first glimmers of a career at the Edinburgh Festival Fringe 35-odd years ago to a kind of niche superstardom that has put him in concert films, dramatic and comedic movie roles, and other vehicles. Unusually, too, he has taken to performing comedy routines in several European languages, as a statement of universality and fraternity. Here, apart from recounting that path, he takes the opportunity to philosophizeearnestly and much less humorously than one might expecton many issues of the day, from transgender rights to the struggle to replace pessimism with optimism in a time of hatred and fear. "Despair is the fuel of terrorism," he writes, "and hope is the fuel of civilization, so we have to put more hope into the world than despair." Izzard's many fans will enjoy his reflections, less outlandish than expected and more rueful than boastful. Copyright Kirkus Reviews, used with permission.