Enhanced descriptions from Syndetics:

The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley's gothic masterpiece, Frankenstein.

Montillo recounts how--at the intersection of the Romantic Age and the Industrial Revolution--Shelley's Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death.

With true-life tales of grave robbers, ghoulish experiments, and the ultimate in macabre research--human reanimation--The Lady and Her Monsters is a brilliant exploration of the creation of Frankenstein, Mary Shelley's horror classic.

Reviews provided by Syndetics

Publishers Weekly Review

Montillo's debut, a macabre romp through 18th and 19th century Europe, illuminates the circumstances and inspiration behind one of gothic literature's most notorious tales. Walking a fine line between historical fact and logical conjecture, the book deftly weaves details of Mary Shelley's early life into the cultural and scientific map of the time in which she was writing. Grim body snatchers, cadaver-carving surgeons, and nefarious alchemists litter the pages. In her retelling of the genesis story of Frankenstein, Montillo offers a constellation of personalities that surrounded Shelley during her hasty writing of the tale. Heavily referencing letters and personal journals, Montillo analyzes Shelley's literary cohorts, providing insight into the motives of her famous literary companions, the haunted Percy Shelley and womanizing Lord Byron. The picture painted provides much room for speculation, stripping long-embellished versions of the story down to the verifiable facts. Who really gave Shelley the technical know-how to write what she did? What were the true origins of her long-standing depression? Fraught with suicides, superstitions, natural disasters, and love affairs, the life of Mary Shelley shares much emotionally with the harrowing tale of her great protagonist, Victor Frankenstein. A delicious and enticing journey into the origins of a masterpiece. Illus. Agent: Rob Weisbach, Rob Weisbach Creative Management. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* Scores of books and movies have retold the infamous tale of the ghost-story contest that gave rise to Mary Shelley's Frankenstein, but Montillo digs deeper (so to speak) in this dual history of literature and science. Half the book is simply one of the most readable biographical portraits you'll find of Mary Shelley the standoffish, spiteful, but brilliant daughter of a famous feminist mother and philosopher father, and whose torrid love affair with the wild poet Percy Shelley (aka Mad Shelley ) kicked off with premarital midnight sex in a cemetery and only got weirder from there. Alternating with Mary's narrative is the hellacious history of the rock-star anatomists of the 1700s, who enthralled Percy, and, by extension, Mary, with their grotesque forays into galvanism, the manipulation of dead muscle via electrical current. Both plots come lumbering at each other like, well, monsters until that fateful summer in Geneva when Mary stitched her various influences together into a single literary beast. Montillo is an academic but unafraid of salaciousness, injecting into her tale an invigorating solution of sex, gore, and gossip as we reach both the end of Mary's woeful life and the end of the anatomists' grave-robbing free-for-all as it ceded to the Anatomy Act. Sick, smart, shocking, and spellbinding.--Kraus, Daniel Copyright 2010 Booklist

Kirkus Book Review

A cultural biography that explores how Mary Shelley came to write her gothic classic. Montillo (Literature/Emerson Coll.; Halloween and Commemorations of the Dead, 2009) discusses how Shelley's world, as well as her life, informed the creation of Frankenstein. The basic story of how the novel came to be written--during an informal ghost-story competition among Mary, husband Percy, Lord Byron and assorted friends--is the stuff of legend. Perhaps less known is how the idea of bringing the dead back to life was already common currency. Well before Shelley's birth, Italian scientist Luigi Galvani (source of the word galvanized) was hooking up electrical charges to dead frogs. His nephew, Giovanni Aldini, took matters further by conducting experiments on a dead felon. Percy Shelley, whose poetry had long been absorbed with immortality, was fascinated by this trend in science, which he would pass on to Mary. Entwined with the history of the idea is the history of the couple, which was tumultuous from the day married Percy met William Godwin's brilliant young daughter; their lives would be rocked by infidelities, jealousies and the early death of a child. "Dream[t] that my little baby came to life again," Mary wrote in a journal, an idea that may have helped inspire her future novel. Resurrection was in the air, both among doctors and artists. Montillo occasionally loses focus, getting a little overly involved in peripheral scandals and sensational tales, but the book is never dull. Mary Shelley lived in dramatic times, when life was too short to be boring. Light fare as cultural histories go, but a pleasant stroll through the Romantic imagination.]] Copyright Kirkus Reviews, used with permission.