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Bound With These Titles
On Order
Summary
Summary
Don't miss AJ Finn's eagerly anticipated new thriller, END OF STORY!
"As the plot seizes us, the prose caresses us. . . [Finn] has not only captured, sympathetically, the interior life of a depressed person, but also written a riveting thriller that will keep you guessing to the very last sentence." -- Washington Post
The #1 bestseller that gripped the world, selling millions of copies around the globe - a tour-de-force Hitchcockian thriller about an agoraphobic woman who believes she witnessed a crime in a neighboring house.
It isn't paranoia if it's really happening . . .
Anna Fox lives alone--a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors.
Then the Russells move into the house across the way: a father, mother, their teenaged son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn't, her world begins to crumble and its shocking secrets are laid bare.
What is real? What is imagined? Who is in danger? Who is in control? In this diabolically gripping thriller, no one--and nothing--is what it seems.
Twisty and powerful, ingenious and moving, The Woman in the Window is a smart, sophisticated novel of psychological suspense that recalls the best of Hitchcock.
Author Notes
A. J. Finn has written for numerous publications, including the Los Angeles Times, the Washington Post and the Times Literary Supplement. A native of New York, Finn lived in England for many years before returning to New York City.
(Bowker Author Biography)
Reviews (5)
Publisher's Weekly Review
Child psychologist Anna Fox, the unreliable narrator of Finn's gripping first novel, lives out one of the classic films that she loves so well-Hitchcock's Rear Window. In this modern update, the agoraphobic Anna hasn't left her Manhattan townhouse in more than 11 months. When she's not observing the neighbors and photographing them with her digital camera, she's watching movies, playing chess, and counseling other agoraphobics via an online forum. Then her obsession with the new family across the park begins to take over. When Anna witnesses a stabbing in their house, no one believes what she saw is real-and it's entirely possible that Anna shouldn't believe it herself. The secrets of Anna's past and the uncertain present are revealed slowly in genuinely surprising twists. And, while the language is at times too clever for its own good, readers will eagerly turn the pages to see how it all turns out. This highly anticipated debut has already received endorsements from such notables as Gillian Flynn and Louise Penny. Agent: Jennifer Joel, ICM Partners. (Jan.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
A lonely woman in New York spends her days guzzling merlot, popping pills, and spying on the neighborsuntil something she sees sucks her into a vortex of terror."The Miller home across the streetabandon hope, all ye who enter hereis one of five townhouses that I can survey from the south-facing windows of my own." A new family is moving in on her Harlem street, and Dr. Anna Fox already knows their names, employment histories, how much they paid for their house, and anything else you can find out using a search engine. Following a mysterious accident, Anna is suffering from agoraphobia so severe that she hasn't left her house in months. She speaks to her husband and daughter on the phonethey've moved out because "the doctors say too much contact isn't healthy"and conducts her relationships with her neighbors wholly through the zoom lens of her Nikon D5500. As she explains to fellow sufferers in her online support group, food and medication (not to mention cases of wine) can be delivered to your door; your housecleaner can take out the trash. Anna's psychiatrist and physical therapist make house calls; a tenant in her basement pinch-hits as a handyman. To fight boredom, she's got online chess and a huge collection of DVDs; she has most of Hitchcock memorized. Both the game of chess and noir movie plotsRear Window, in particularwill become spookily apt metaphors for the events that unfold when the teenage son of her new neighbors knocks on her door to deliver a gift from his mother. Not long after, his mother herself shows upand then Anna witnesses something almost too shocking to be real happening in their living room. Boredom won't be a problem any longer.Crackling with tension, and the sound of pages turning, as twist after twist sweeps away each hypothesis you come up with about what happened in Anna's past and what fresh hell is unfolding now. Copyright Kirkus Reviews, used with permission.
Booklist Review
*Starred Review* Funeral March of a Marionette is heard somewhere off in the distance as the shadow of Alfred Hitchcock, for whose TV program that 1872 Gounod piece served as the theme,moves across each page of this neo-noir masterpiece. Grab a bottle of Merlot, and settle in to accompany Anna Fox on her nightmare journey, a journey confined, almost in its entirety, within the walls of her New York City home. Anna suffers from agoraphobia and has carefully arranged her housebound existence around her many medications, including bottles of wine and classic thriller films, as she keeps in contact with her husband and daughter, nurtures fellow agoraphobes in an online support group, plays virtual chess, Skypes French lessons, and maintains close surveillance of her neighbors. Safe from the world outside. Then her cocoon begins to unravel when she witnesses a murder in the house across the way. Sound familiar? However, author Finn has carefully paced Anna's internal narrative and intricately woven interactions (real or imagined?) and added a diabolical dimension that makes this story even more intense than Hitchcock's Rear Window. And when the catalyst for Anna's condition is ultimately revealed, it is far more traumatic than a broken leg. An astounding debut from a truly talented writer, perfect for fans in search of more like Gone Girl and The Girl on the Train. HIGH-DEMAND BACKSTORY: Scheduled for publication in 35 languages and with a film already in development at Fox 2000 with Scott Rudin producing, this could be the first novel that climbs highest on this year's bestseller lists.--Murphy, Jane Copyright 2017 Booklist
New York Review of Books Review
A damsel in distress can be a poor narrator. How to convey the magnitude of her troubles without letting her descend into irritating selfpity? Finn tackles this contradiction brilliantly, especially given his agoraphobic heroine's situation. Anna Fox is confiding and breezy, but not brittle. The conversations presented here as amusing really do amuse. Yet the fear is always there. Anna, a gentrifier in Harlem, spends a lot of time watching old movies and looking out her window. Separated by her illness from her husband and daughter, she's alone nearly all the time. But since she's a trained psychologist, she has eased into helping fellow sufferers online. Perky with her clients, she's less so in her asides to the reader, especially when she's rattling off the names of all the pills she adds to her incessant wine drinking. Eventually, Anna trains her professionally keen attention on some of her neighbors, members of a family that has moved into a townhouse across the way. As, one by one, they start to visit her, disturbingly different versions of their lives are on offer. Sometimes "The Woman in the Window" seems like a freshly warped version of an old mystery play, with its repeated entrances and exits on a single stage. Late at night, awash in pills and alcohol, Anna is sure she has seen a stabbing. Finn signals a key development ahead of time, but that doesn't soften the punch when it comes. Plenty of revelations ensue, and as they pile up the reader feels them right along with Anna.
Library Journal Review
DEBUT Likened to blockbusters by Paula Hawkins, Gillian Flynn, and Ruth Ware-and billed as the breakout book of 2018-Finn's debut lives up to the hype. The title, also the name of a 1944 film noir, refers to both the protagonist, Dr. Anna Fox, and the horrific scene she witnesses from her kitchen window. An agoraphobic and former child psychologist, Anna spends her days in her Harlem brownstone drinking Merlot by the case, watching old black-and-white mysteries, and spying on her neighbors. Her latest obsession is the new family across the park, the Russells. The trio-a husband, wife, and teen son-remind Anna of her own husband and young daughter, who no longer live with her. Anna's peeping soon reveals what she's positive is a murder and hasty cover-up. But no one-including the police-believe the ravings of a hermit who consistently mixes prescription medication with large doses of alcohol. VERDICT With overt and subtle references to classic thrillers from Hitchcock to Polanski, Finn, a pen name for William Morrow executive editor Dan Mallory, crafts a tightly coiled tale that will keep fans of the genre guessing. A riveting and mature first novel that stands out in a crowded genre. [See Prepub Alert, 7/3/17.]--Kiera Parrott, School Library Journal © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.