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Summary
Summary
LOS ANGELES TIMES BESTSELLER * A spellbinding debut novel about the trailblazing Iranian poet Forugh Farrokhzad, who defied society's expectations to find her voice and her destiny
"A complex and beautiful rendering of [a] vanished country and its scattered people, a reminder of the power and purpose of art, and an ode to female creativity under a patriarchy that repeatedly tries to snuff it out."-- The New York Times Book Review (Editors' Choice)
All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always finds ways to rebel--gossiping with her sister among the fragrant roses of her mother's walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé . During the summer of 1950, Forugh's passion for poetry takes flight--and tradition seeks to clip her wings.
Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh's poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules--at enormous cost. But the power of her writing only grows stronger amid the upheaval of the Iranian revolution.
Inspired by Forugh Farrokhzad's verse, letters, films, and interviews--and including original translations of her poems--this haunting novel uses the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran--and who continues to inspire generations of women around the world.
Praise for Song of a Captive Bird
"If poetry is emotion rendered incendiary, then Forugh Farrokhzad was made of fire. . . . Song of a Captive Bird is an unsparing account of the necessity and consequences of speaking out." -- BookPage
"Sometimes, simply choosing whom to love is a political act." -- Vogue
"Forugh Farrokhzad's short life brimmed with controversy and rebellion . . . .This feminist icon inspired Darznik's imaginative debut."-- Ms.
Author Notes
Jasmin Darznik was born in Tehran, Iran, and moved to America when she was five years old. She is the author of the New York Times bestseller The Good Daughter: A Memoir of My Mother's Hidden Life . Her work has been published in thirteen countries and recognized by the Steinbeck Fellows Program, the Corporation of Yaddo, and the William Saroyan International Prize . Her stories and essays have been published in The New York Times, The Washington Post, the Los Angeles Times, and elsewhere. She holds an MFA in fiction from Bennington College and a Ph.D. in English from Princeton University. Now a professor of literature and creative writing at California College of the Arts, she lives in Northern California with her family.
Reviews (5)
Publisher's Weekly Review
In this sumptuous debut novel, Darznik (The Good Daughter, a memoir) retells the fleeting life of a real-life Iranian feminist, poet, and director. In this imagining-told with the vulnerability and confidence of a memoir-Forugh Farrokhzad grows up in a Tehran where women and girls see little of the world beyond their own garden walls, but the glimpses are formative. Poetry is the thread that weaves through Forugh's journey: the familial and romantic relationships that uplift and crush her; the darkest hours of isolation where she is made to forget her own work; the possibilities and promise, always just out of her reach. Excerpts of her verses, translated by Darznik, light the path from Forugh's tragic first love to the birth of her son, a passionate affair, her first publication, and her determination to remain independent in a world so focused on control. Forugh's crucibles are not so dissimilar from those of her country, balancing a rich history and faith with a desire to secure a place in modern spheres of influence. As Forugh finds her stride, so does Darznik's telling; the direct but descriptive voice soars as its subject makes a life for herself. Darznik's marvelous homage to Forugh captures the frustration and determination she must have felt to overcome the strictures of her environment, beautifully recreating her difficult path to fame. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
*Starred Review* In her memoir, The Good Daughter (2011), Darznik reveals her mother's long-hidden life in Iran, where she was married at 13, then forced to give up her firstborn to escape her brutally abusive husband. In Darznik's biographical first novel, her protagonist, based on the feminist Iranian poet and filmmaker Forugh Farrokhzad (1935-67), also loses her child in a battle for freedom. Young Forugh is a mischievous booklover and a budding poet often in trouble with her strict, unhappy mother and menacing father, a prominent colonel. Taken out of school after ninth grade and longing for a literary life, she becomes infatuated with an older cousin, a published writer. Scandal is narrowly averted by a hasty departure from Tehran and a quickly executed wedding. But Forugh will not be silenced by her smothering marriage; isolation in a dusty, gossipy town; or even love for her son. In dangerously candid poems, she asserts that a woman is a human being . . . that we, too, have a right to breathe, to cry out, and to sing. Eventually she slips back to Tehran, enters into a risky affair with an editor, and attains notoriety that costs her her son and, for a time, her sanity and independence. Darznik's knowledgeably invented characters and compellingly imagined scenarios, both of which are sensuous and harrowing, are deftly set within Iran's violent, oil-fueled, mid-twentieth-century political and social upheavals, and stay true to the essence of Farrokhzad's audacious, dramatic, and creative life and courageous commitment to writing revolutionary poems about being female in a tyrannically sexist society. Darznik even includes her own stunning translations of Farrokhzad's incandescent poetry. Farrokzhad is known as the Sylvia Plath of Iran, and the two poets were contemporaries, living lives at once starkly different and remarkably attuned, then dying young and tragically. Plath's renown is universal; Darznik's enthralling and illuminating novel will introduce Farrokhzad to a whole new world of readers.--Seaman, Donna Copyright 2017 Booklist
New York Review of Books Review
THE HOUSE OF BROKEN ANGELS, by Luis Alberto Urrea. ??? (Little, Brown, $27.) In Urrea's sprawling, tender, funny , BKOKÉIT anc· bighearted family saga - a Mexican-American A N CE LS nove' t'lat's a'so an American novel - the de La Cruz ,G7?;??? clan gathers in San Diego to celebrate the 70th birth- day of its patriarch, who is dying of cancer. THE CADAVER KING AND THE COUNTRY DENTIST: A True Story of Injustice in the American South, by Radley Balko and Tucker Carrington. (PublicAffairs, $28.) Tracing the wrongful convictions of two men in Mississippi in the early 1990s, the authors ask whether problems in our justice system stem from basic incompetence or bald racism. FAREWELL TO THE HORSE: A Cultural History, by Ulrich Raulff. (Liveright, $35.) Raulff ranges far and wide to tell the story of the complicated relationship between humans and horses - an elegy that is labyrinthine in the varied places it goes, but never frustrating. VICTORIOUS CENTURY: The United Kingdom, 1800-1906, by David Cannadine. (Viking, $40.) Any serious scholar of the Victorian Age faces a tricky balance sheet of profit and loss. Cannadine's admirable history lucidly records Britain's many triumphs at home and abroad, and its many failures as well. SONG OF A CAPTIVE BIRD, by Jasmin Darznik. (Ballantine, $27.) Darznik's novel, inspired by the turbulent life of the Iranian poet Forugh Farrokhzad, who defied her country's conservative mores by daring to write verse about female pleasure, is superbly dramatized, each scene designed to stir up fury and longing. FATAL DISCORD: Erasmus, Luther and the Fight for the Western Mind, by Michael Massing. (Harper, $45.) Last year saw a profusion of books about Martin Luther to mark the 500 th anniversary of his posting the 95 Theses. Massing widens the lens wondrously, bringing in Erasmus, the great humanist foe of Luther. Their rivalry set the course for much of Western civilization. THE LAND BETWEEN TWO RIVERS: Writing in an Age of Refugees, by Tom Sleigh. (Graywolf, paper, $16.) Sleigh visits some of the world's hot zones - Kurdistan, Mogadishu, rural Lebanon - to bear witness. "Even people threatened by drought and starvation," he writes, "have to get on with their lives." JOURNEY INTO EUROPE: Islam, Immigration, and Identity, by Akbar Ahmed. (Brookings, $34.99.) Ahmed, a Pakistani scholar and diplomat, interviewed Muslims across Europe about their situation. "This, I felt, was Europe's ticking time bomb," he says. THE MAD WOLF'S DAUGHTER, by Diane Magras. (Kathy Dawson/ Penguin, $16.99; ages 8 to 12.) This fast-paced novel follows a 12-year-old girl in medieval Scotland who must find the truth about her family's past to save her father and brothers. The full reviews of these and other recent books are on the web: nytimes.com/books
Kirkus Review
Unclean, unholy, immodest, disruptiveForugh Farrokhzad endures the scorn of her family and society to become one of Iran's most prominent poets and a film director in this debut novel based on her real life.From the rise of the repressive Pahlavi dynasty to the 1953 coup bringing Mosaddegh to power, martial law in 1979 , and the beginnings of revolution, Darznik (The Good Daughter: A Memoir of My Mother's Hidden Life, 2011) weaves remnants of Forugh's real poetry through this bewitching tale of a woman transcending the strictures of a patriarchal society. There is no shortage of villains, including her domineering and abusive father, who insisted that even his children call him The Colonel. The novel opens with a troubling scene, as Forugh's mother ushers her to the shabby outskirts of Tehran to determine whether she is still a virgin. The virginity test comes like a rape to Forugh, leaving her shaken and setting the stage for disaster. Constantly seeking a way to play on the same field as men, Forugh discovers poetry, and her first poem commands even The Colonel's attention. Once her passion begins to show, however, his support abruptly ends, and her parents arrange a marriage to Parviz, who turns cold on their wedding night, rejecting her after seeing no blood on their sheets. A year later, stifled by her mother-in-law and disappointed in her husband, Forugh sneaks off to Tehran to find a publisher for her poetry, Nasser Khodayar, who becomes her lover as well. Recklessly publishing her first poem, "Sin," under her own name, Forugh sets in motion a cascade of events that will lead her to become an independent artist. But the path is long and twists through a mental asylum and divorce as well as the highs of love and showing her first documentary and the lows of social humiliations and prison.A thrilling and provocative portrait of a powerful woman set against a sweeping panorama of Iranian history. Copyright Kirkus Reviews, used with permission.
Library Journal Review
With her eloquent contralto, Mozhan Marnò exquisitely embodies the Persian poet and filmmaker Forugh Farrokhzad-her experiences as a young bride, maturation as a writer, hesitant then strident steps toward independence, and refusal to be silenced through the violent horrors of the autocratic Shah's reign. As the only daughter in a traditional family, the strict expectations of Forugh's gender nearly stifle her spirit. She escapes her stagnating marriage, even if it means losing her adored young son. She seeks freedom and inspiration in love affairs, survives personal betrayals and public vilification, and finds contentment and companionship with a wealthy friend. Denigrated and celebrated both, Forugh becomes a hopeful beacon for Persian women during the widespread tumult of 1950s and 1960s Iran. Tehran-born, U.S.-raised Darznik's (The Good Daughter) debut novel relies on "Forugh's own poetry, letters, films, and interviews as source material." VERDICT The result is spectacular testimony-further heightened by Marnò's vividly resonant narration-to a creative force whose searing voice has survived censorship, bans, and too-early death. ["Readers can't seem to get enough of fictional biography, and this first novel from...Darznik is a poignant, mesmerizing addition to the genre": LJ 12/17 starred review of the Ballantine hc.]-Terry Hong, Smithsonian BookDragon, -Washington, DC © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.