See what can be done : essays, criticism, and commentary

Title:

Author:

Moore, Lorrie, author.

Personal Author:

Moore, Lorrie, author.

ISBN:

9781524732486

Edition:

First edition.

Physical Description:

xix, 407 pages ; 25 cm

General Note:

"This is a Borzoi book."

Abstract:

A collection of more than fifty prose pieces by the cultural commentator reviews the literary achievements of her contemporaries, sharing perspectives on subjects ranging from the art of writing fiction to the continuing unequal state of race in America.

Subject Term:

Criticism.

Literature, Modern -- History and criticism.

Summary:

Holds:

Available:*

Library	Material Type	Shelf Number	Status
Searching... Belmont	Book	801.95 M822	Searching... Unknown
Searching... West End	Book	801.95 M822	Searching... Unknown

Bound With These Titles

On Order

Summary

A New York Times Critic's Top Pick of the Year

This essential, enlightening, truly delightful collection shows one of our greatest writers parsing the political, artistic, and media landscape of the past three decades. These sixty-six essays and reviews, culled from the pages of The New York Review of Books , The New York Times , Harper's , The Atlantic , and The New Yorker, among others, find Lorrie Moore turning her discerning eye on everything from Philip Roth to Margaret Atwood, from race in America to the shocking state of the GOP, from celebrity culture to the wilds of television, from Stephen Sondheim to Barack Obama. See What Can Be Done is a perfect blend of craft, brains, and a knowing, singular take on life, liberty, and the pursuit of (some kind of) happiness.

Reviews (1)

Kirkus Review

The award-winning fiction writer gathers essays written over the past three decades.Reviewing Claudia Roth Pierpont's Passionate Minds, Moore (English/Vanderbilt Univ.; Bark: Stories, 2014, etc.) offered generous praise for the collection of literary profiles: "with its unintimidated questions and explorations," the book, she wrote, "is provocative and bracing, a wizard's mix of innocence and fire." Much the same can be said of these articles, reviews, bits of memoir, and commentaries, many published in the New York Review of Books and the New York Times. The collection opens with a review of Nora Ephron's Heartburn, which Moore wrote for Cornell's literary magazine in 1983, and ends with an essay about blues guitarist Stephen Stills, whose concert Moore attended in "late-middle-aged ecstasy" in 2017. An astute, sympathetic reader, she appreciates the "friendly irony" of Bobbie Ann Mason's stories; Don DeLillo's "ability to let America, the bad dream of it, speak through his pen"; and Joyce Carol Oates' "richly witty and despairing" Broke Heart Blues. Moore defends the controversial choice of Joan Silber's Ideas of Heaven, a novel as linked stories, as a finalist for the 2005 National Book Award: Silber writes like "a graceful swimmer on a leisurely swim, though her brisk, radiant prose chops the water like a sprite." Although most pieces focus on books, Moore rings in on a few TV shows, including The Wire, which she found riveting for its "admirable and unblinking look at a cursed peopleAmerica's largely black and brown urban underclass"; and the "legitimately brilliant drama" of the NBC series Friday Night Lights. On politics, Moore can be unsparing in her disdain: in 1998, during the Starr investigation of the Lewinsky scandal, she wondered at the public's apparently sudden shock and anger about a man who always seemed to her "a charming shark, a user, a yuppie, a bad actor, and a sexy, lying fool." She skewers Trump as "part Crazy Eddie, part Henry VIII, part AWOL Andrew Jacksonin it for the adventure and applause."Deft, graceful essays from a sharply incisive writer. Copyright Kirkus Reviews, used with permission.