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Summary
Summary
From Fever 1793
"Where's Polly?" I asked as I dropped the bucket down the well. "Did you pass by the blacksmith's?
"I spoke with her mother, with Mistress Logan," Mother answered softly, looking at her neat rows of carrots.
"And?" I waved a mosquito away from my face.
"It happened quickly. Polly sewed by candlelight after dinner. Her mother repeated that over and over, 'she sewed by candlelight after dinner.' And then she collapsed."
I released the handle and the bucket splashed, a distant sound.
"Matilda, Polly's dead."
August 1793. Fourteen-year-old Mattie Cook is ambitious, adventurous, and sick to death of listening to her mother. Mattie has plans of her own. She wants to turn the Cook Coffeehouse into the finest business in Philadelphia, the capital of the new United States.
But the waterfront is abuzz with reports of disease. "Fever" spreads from the docks and creeps toward Mattie's home, threatening everything she holds dear.
As the cemeteries fill with fever victims, fear turns to panic, and thousands flee the city. Then tragedy strikes the coffeehouse, and Mattie is trapped in a living nightmare. Suddenly, her struggle to build a better life must give way to something even more important -- the fight to stay alive.
Reviews (5)
Publisher's Weekly Review
PW called this ambitious novel about the yellow fever epidemic that ravaged 18th-century Philadelphia "extremely well researched. However, larger scale views take precedence over the kind of intimate scenes that Anderson crafted so masterfully in Speak." Ages 10-up. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Middle School) For fourteen-year-old Mattie Cook, the epidemic begins with the news of the sudden and unexpected death of her childhood friend Polly. It is summer 1793, and yellow fever is sweeping through Philadelphia; the death toll will reach five thousand (ten percent of the city's population) before the frost. Mattie, her mother, and grandfather run a coffeehouse on High Street, and when others flee the city, they choose to stay-until Mattie's mother is stricken. Sent away by her mother to escape contagion, Mattie tries to leave, is turned back by quarantine officers, falls ill herself, and is taken to Bush Hill, a city hospital run by the celebrated French doctor Steven Girard. Without ever being didactic, Anderson smoothly incorporates extensive research into her story, using dialogue, narration, and Mattie's own witness to depict folk remedies, debates over treatment, market shortages, the aid work done by free blacks to care for and bury the victims, the breakdown of Philadelphia society, and countless tales of sufferers and survivors. With such a wealth of historical information (nicely set forth in a highly readable appendix), it's a shame that the plot itself is less involving than the situation. While Mattie is tenacious and likable, her adventures are a series of episodes only casually related to the slender narrative arc in which she wonders if her mother has survived the fever and whether they will be reunited. Subplots concerning Mattie's own entrepreneurial ambitions and her budding romance with a painter apprenticed to the famous Peale family wait offstage until the end of the book. Still, Anderson has gone far to immerse her readers in the world of the 1793 epidemic; most will appreciate this book for its portrayal of a fascinating and terrifying time in American history. anita l. burkam (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Booklist Review
Gr. 7^-10. Sixteen-year-old Matilda Cook, her widowed mother, and her grandfather are eking out a living running a coffeehouse in the middle of bustling Philadelphia when they learn that their servant girl has died of yellow fever. Thus begins Matilda's odyssey of coping and survival as the disease decimates the city, turning the place into a ghost town and Matilda into an orphan. Anderson has carefully researched this historical event and infuses her story with rich details of time and place (each chapter begins with quotes from books or correspondence of the late-eighteenth century), including some perspective on the little-known role African Americans played in caring for fever victims. The dialogue in Fever is not as natural sounding as it was in Anderson's contemporary novel Speak (1999), which was a Printz Honor Book. But readers probably won't be disappointed by Anderson's writing or by her departure from a modern setting. Nor will teachers, who will find this a good supplement to their American History texts. Anderson tells a good story and certainly proves you can learn a lot about history in good fiction. An appended section gives more background. --Frances Bradburn
School Library Journal Review
Gr 6-10-The sights, sounds, and smells of Philadelphia when it was still the nation's capital are vividly re-created in this well-told tale of a girl's coming-of-age, hastened by the outbreak of yellow fever. As this novel opens, Matilda Cook, 14, wakes up grudgingly to face another hot August day filled with the chores appropriate to the daughter of a coffeehouse owner. At its close, four months later, she is running the coffeehouse, poised to move forward with her dreams. Ambitious, resentful of the ordinary tedium of her life, and romantically imaginative, Matilda is a believable teenager, so immersed in her own problems that she can describe the freed and widowed slave who works for her family as the "luckiest" person she knows. Ironically, it is Mattie who is lucky in the loyalty of Eliza. The woman finds medical help when Mattie's mother falls ill, takes charge while the girl is sent away to the countryside, and works with the Free African Society. She takes Mattie in after her grandfather dies, and helps her reestablish the coffeehouse. Eliza's story is part of an important chapter in African-American history, but it is just one of many facets of this story of an epidemic. Mattie's friend Nathaniel, apprentice to the painter Master Peale, emerges as a clear partner in her future. There are numerous eyewitness accounts of the devastation by Dr. Benjamin Rush and other prominent Philadelphians of the day. Readers will be drawn in by the characters and will emerge with a sharp and graphic picture of another world.-Kathleen Isaacs, Edmund Burke School, Washington, DC (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
In an intense, well-researched tale that will resonate particularly with readers in parts of the country where the West Nile virus and other insect-borne diseases are active, Anderson (Speak, 1999, etc.) takes a Philadelphia teenager through one of the most devastating outbreaks of yellow fever in our country's history. It's 1793, and though business has never been better at the coffeehouse run by Matilda's widowed, strong-minded mother in what is then the national capital, vague rumors of disease come home to roost when the serving girl dies without warning one August night. Soon church bells are ringing ceaselessly for the dead as panicked residents, amid unrelenting heat and clouds of insects, huddle in their houses, stream out of town, or desperately submit to the conflicting dictates of doctors. Matilda and her mother both collapse, and in the ensuing confusion, they lose track of each other. Witnessing people behaving well and badly, Matilda first recovers slowly in a makeshift hospital, then joins the coffeehouse's cook, Emma, a free African-American, in tending to the poor and nursing three small, stricken children. When at long last the October frosts signal the epidemic's end, Emma and Matilda reopen the coffeehouse as partners, and Matilda's mother turns up--alive, but a trembling shadow of her former self. Like Paul Fleischman's Path of the Pale Horse (1983), which has the same setting, or Anna Myers's Graveyard Girl (1995), about a similar epidemic nearly a century later, readers will find this a gripping picture of disease's devastating effect on people, and on the social fabric itself. (Fiction. 11-13) Copyright ©Kirkus Reviews, used with permission.