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Borrowed Houses
It was after her father’s death Flora returned to Darwin. Returning—with all the criminal associations—to the scene of her growing up had been a task she’d put off, rebufï¬ng her father’s invitations. “You don’t go home much, do you?†friends would ask. Home—that fuzzy image of innocence, that haven of recognition. The place you long for when adrift.
Her father’s voice in her mind’s ear paused her: So all I had to do, Flo, to get you to Darwin was die? But it did not stop her. She caught a taxi to the bus station, and took the bus to its terminus, a desolate former mill town thirty minutes from Darwin, and then she loaded herself and her body bag of a suitcase into a country cab—more properly called a car, a crumby minivan, with nothing marking it as professional in any way—now bringing her to her father’s house.
She did not sublet her apartment in the city; there wasn’t time, and the thought of someone else sleeping in her bed and ï¬lling her closets made her anxious— an only child, she’d never liked to share. She knew what people did in other people’s houses, and did not want it done to her. And who knew how long she’d be gone. But she had taken the time to pack all the things she liked best, leaving the B garments behind. She packed her three favorite pairs of jeans of varying degrees of tightness and wear, a pair of black corduroys, two A-line skirts, one high- slitted denim pencil skirt, and a black silk dress she’d bought several years back upon receiving her ï¬rst reasonable paycheck, imagining a life of cocktail parties and cigaÂrette holders, and worn once. She packed socks and tights, three delicate wool cardigans, one milky white cable- knit cashmere turtleÂneck, ï¬ve long- sleeved cotton shirts of assorted saturated colors, clogs, her turquoise old- lady slippers, sweatpants and two concert T-shirts she’d had since high school, boots (one pair heeled, one flat), her six sexy pairs of underwear and her four unsexy, old, comÂforting pairs of underwear, and various scarves and hats. She packed a short, beaded 1920s- style flapper dress—a prime example of her favorite category of clothing: inappropriate for every occaÂsion (and thus equally appropriate for all occasions)—and a pair of pewter-colored four-inch heels of the same category. She packed soap, shampoo, and other ablutions (as if she were traveling to the tundra, where such items could not be procured, and not to New England, where they could, but then they might be inferior), and, in the midst of the vanities, she buried the folder of her father’s poems. If I lose this bag, she thought, forcing the zipper across its length, I’ll be very sad.
Darwin was three hours from everywhere: Flora was unready to arrive. It was dusk, and quiet, her country cab passing the odd staÂtion wagon loping home. Darwin—the one place in America SUVs had not yet colonized. Perhaps they were against the law. Here the indigenous station wagon still reigned supreme over his niche. Here talk of carbon footprint was as routine as talk of gas prices elsewhere. The town of Darwin knew unhappiness—the DarwiniÂans self- satisï¬ed but not content. Thick with academics and their broods—idlers, ruminators, moseyers. Thoughtful people, thinkÂing thoughts. No one hurrying down the few placid streets. Hadn’t the Darwinians anything urgent to attend to? Yes, they had not. Poets and the world romanticize being idle—the boon of free time praised, guarded, envied—but anyone who has idled for a living knows the damaging effects it can have on the moods.
The minivan was overheated, stifling. The window wouldn’t budge. Flora’s hair itched with sweat. She was being cooked alive. She took off her hat, uncoiled her scarf, unbuttoned her coat. She was a child. Her clothes, hidden all day beneath layers— why did one prefer to keep one’s coat on in public transit?—announced a comÂplete regression. The faded bla