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ix | |
Prologue My First Daguerreotype |
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xi | |
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One The Locked Treasure Room |
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1 | (5) |
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6 | (8) |
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14 | (9) |
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23 | (8) |
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31 | (9) |
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Six An Innate Love of Knowledge |
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40 | (8) |
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Seven More Beautiful than Nature |
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48 | (11) |
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59 | (8) |
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Nine Seeking the Impossible |
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67 | (10) |
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77 | (11) |
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Eleven The Melancholy Artist |
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88 | (17) |
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105 | (600) |
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Thirteen The Latticed Window, August 1835 |
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105 | (10) |
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Fourteen The Magic Cabinet |
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115 | (11) |
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Fifteen The Most Wonderful Discovery Ever Made |
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126 | (7) |
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Sixteen From Today, Painting is Dead |
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133 | (11) |
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Seventeen Photogenic Drawing |
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144 | (14) |
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Eighteen The Academie des Sciences, August 1839 |
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158 | (8) |
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Nineteen Daguerreotypomania |
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166 | (7) |
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173 | (11) |
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Twenty-one The Pencil of Nature |
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184 | (13) |
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Twenty-two The Monopoly of the-Sunshine |
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197 | (7) |
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Twenty-three The Great Exhibition of 1851 |
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204 | (10) |
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Twenty-four The Reluctant Inventor |
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214 | (12) |
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Twenty-five Art or Science? |
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226 | (12) |
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Twenty-six The Mute Testimony of the Picture |
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238 | (16) |
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Twenty-seven The Eye of History |
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254 | (13) |
Epilogue Everyman's Art |
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267 | (8) |
Acknowledgements |
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275 | (3) |
Notes |
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278 | (13) |
Bibliography |
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291 | (5) |
Index |
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296 | |